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Archive
Archive
Music fellowships open for SA artists
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Paris’s Louvre: now you see it, now you don’t
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Comedic chaos rules in Strassman’s iTedE
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What’s on: art after dark and torchlight tours
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Poem: Two in the Park
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Sophie Hannah’s The Narrow Bed
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Why is it so hard to move on from the ’80s?
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Art restoration business spreads wings into Asia
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New winter music festival to warm up Adelaide
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What’s on: Petal power, pirouettes and divine divas
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Slingsby theatre: After the chop
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David Stratton’s Great Britain Retro Film Festival
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Is this the final chapter for one of Australia’s oldest literary journals?
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Cleaver’s still hanging as Rake returns to ABC
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Film review: Whiskey Tango Foxtrot
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Review: Things I Know to Be True
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Book review: Far From True
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Poem: Troubridge Shoals, late March
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Brush strokes bring balance to barrister’s life
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The Iron Lady is back – as a cabaret superstar
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Wolf Creek movie gets gruesome TV treatment
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Michelle’s Story scoops three SA Screen Awards
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What’s on: Let the good times roll
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Review: State Opera’s Cloudstreet
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‘Dark days’ for SA’s arts sector
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Gallery launches new $100,000 art prize
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Lessons for SA from Victoria’s “Creative State”
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Film review: Bastille Day
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Film review: Bad Neighbours 2
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Flowing river lights up Peel Street
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Swept up by Nick Cave’s reminiscences
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Poem: Curving into the Day
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‘Australia is rich with brave, visionary artists’
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Adelaide censorship film vies for awards
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Television legend Reg Grundy dies
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Waleed Aly: Why this Logie win really matters
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ASO’s Movie Masterpieces
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Film review: Spanish Affair 2
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What’s on: dance, drama, opera and last-chance art
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Cloudstreet story is personal for singer Don Bemrose
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Film review: A Month of Sundays
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Midnight Oil to reunite for tour
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Gorgon: a hand-grenade of a play
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How to Set a Fire and Why
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Poem: The Key
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Funding boost for SA arts projects
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Review: Brodsky Quartet & Katie Noonan
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Real and virtual worlds converge in dance premiere
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