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Archive
Archive
Poem: Returning ‒ endings
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Artists’ incomes 21% below average – and falling
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Albert Namatjira: the loss and return of an artistic legacy
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Film review: Murder on the Orient Express
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AB Original clean up at SA Music Awards
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Feast Festival set to celebrate diversity of queer culture
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Poem: En route – flexitime
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What’s on: From SummerSalt to Unsound
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Amazing Airlie writes her way out of a life locked in
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Book extract: Alex Miller’s The Passage of Love
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Stranger Things 2 is darker, weirder and seriously addictive
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Poems inspired by the art of nature
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What’s on: Handpicked Festival, Feast, Gaol Blues
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What’s on: Spirit Festival, Harry Potter in concert, Stevie Nicks
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Review: Australian Ballet’s Gala Spectacular
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Film review: England Is Mine
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Review: State Theatre’s Switzerland
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Rock ‘n’ roll pioneer Fats Domino dies
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Film review: That Good Night
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Major Impressionist exhibition a ‘coup’ for Art Gallery of SA
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Review: State Opera’s Die Fledermaus
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Poems: Ibis Visitors and Dating Dotterels
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Rosehaven and Micallef’s Ex-PM return to ABC TV
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Book extract: Stephen Orr’s Incredible Floridas
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Film review: Thor – Ragnarok
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Film review: The Snowman
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Film review: Mumon – The Land of Stealth
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What’s on: Bush Mechanics, Taking Flight, Switzerland
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US author wins Booker for novel inspired by Lincoln’s grief
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Poem: Moonah Musings
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Switzerland: A thriller with a novel twist
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What’s on: Fleurieu Folk, Root Down & ‘deadly’ art
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Aboriginal art fair links artists with buyers
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What’s on: Tarnanthi, films, fashion & a disco trip
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Annabelle Sheehan to leave SA Film Corporation
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Poem: Pirates
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OzAsia review: Rising
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From dot painting to a desert darkroom
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OzAsia review: In Between Two
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What’s on: Film Festival, Fabulous Fashion, OzAsia
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Film review: Blade Runner 2049
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OzAsia review: The Dark Inn
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OzAsia review: Vocaloid opera The End
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Poem: Reflections
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OzAsia review: Scary Beauty
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OzAsia review: Hotel
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OzAsia review: Regurgitator, Seja & Mindy Meng Wang
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How Tony Abbott triggered his first No. 1 hit
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