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Archive
Archive
Green Room: Arts ‘neglected’, from SA to LA, going for a song
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Love, hate and Savvy B
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Designer and film producer joins AGSA board
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Poem: Reflections
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Theatre review: True West
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Novel of grief and trauma wins top literary award
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Violist appointment heralds a new era for ASQ
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Recording studio creates a buzz in tiny Fleurieu town
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Theatre review: The Bridge of San Luis Rey
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‘Restaurant’ review: Chefs on Wheels
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Harry James Angus to share the stage with SA jazz talent
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Poem: This, too, is for you
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Unpacking In the Heights’ choreographic film references
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Dance review: Australian Ballet’s Anna Karenina
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Ghosts and lovers: State Opera turns up the drama
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Tarnanthi Festival announces 2021 highlights
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The art of radio
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Curtain set to fall on Bakehouse Theatre
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Green Room: SALA, Tutti, talking arts
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The Barossa’s lovable Old Bastard
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Poem: On Time
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Why Scandi noir is cool
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South Australia’s best landscape architecture
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Opera review: The Tell-Tale Heart
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OzAsia reveals first taste of 2021 festival program
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Green Room: Immersive art and craftivism
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Book review: Turbulence
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Poem: Daisy and Desert
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Swimming in a sea of surrealism
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In The Studio with Meg Caslake and David Pedler
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Diary of a Bookseller: Follow the clues
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The new movies coming to a cinema near you
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Poem: Brushtail Possum
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How do you process something too painful to comprehend?
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How Valerie Taylor played with sharks to prove a point
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Six books shortlisted for 2021 Miles Franklin prize
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Revisiting Parklands, a bittersweet slice of ’90s Adelaide noir
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Green Room: Painting Gulpilil, Surrealists at Sea, film winners
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Restaurant review: Daughter in Law
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Book review: Throat
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Poems: Milk soaked saffron & Rubies
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It should be called ‘the theatre of love’
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Theatre review: The Appleton Ladies’ Potato Race
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How Kate Bohunnis is making and breaking the mould
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Green Room: Public art, top pots, Powerhouse talk
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Wine reviews: Why Australians should get back on the claret
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Book review: Echolalia
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Poems: Winter Bites and Sister Spring
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