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Archive
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Film review: Top Gun – Maverick
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Head-turning homes in the 2022 SA Architecture Awards
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Head-turning homes in the 2022 SA Architecture Awards
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Is SA’s most unlikely wine region set to make its mark?
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Book extract: Rattled, by Ellis Gunn
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Green Room: Celebrating Carclew, festivals news
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Film review: Maigret
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Poem: An endless field of magnolias
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Review: Coriole Music Festival
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Natural beauty abounds in 2022 Waterhouse Prize shortlist
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Why the Archibald is about more than just winning
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Designer Meg Wilson is a maker of new worlds
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Restaurant review: Pearl
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Important sculpture highlights the paradoxes of abolitionist art
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Poem: Of Marigolds, Mexican and Miscellaneous
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Grace and Frankie: How Netflix’s unlikely hit broke new ground
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Dance review: Outside Within
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Theatre review: Cathedral
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The gateway variety to understanding wine
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In the studio with Sue Lorraine
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Book review: A History of Dreams
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Green Room: Screen dreams, art in nature
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Poem: 92 Weeks, on a lead
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Minder, Sweeney star Dennis Waterman dies
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Review: Friends! The Musical Parody
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From the humble to the heroic: 2022 SA Architecture Awards
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Diary of a Bookseller: All about mothers
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Green Room: Our Mob callout, shorts showcase
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Restaurant review: Yiasou George
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Voices unleashed in the Hills
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Film review: Official Competition
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Building the creative entrepreneurs of tomorrow
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Poem: Ceremonial Coffins
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Why we should have a universal basic income for artists
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Opera review: The Turn of the Screw
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Theatre review: A Streetcar Named Desire
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Film review: After Yang
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2022 Stella Prize-winning book skewers cultural mythologies
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Take a trip back in time
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Scott Hicks’ rock ‘n’ roll portraits loom larger than life
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Seeking hope in deep waters: Caleb Lewis’s Cathedral
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The Rhône white staking its claim in the Barossa
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Film review: Downton Abbey – A New Era
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Book review: Ten Steps to Nanette
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Poem: Moving memories
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Theatre review: Seagull
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Film review: The Northman
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Cuban music swings into country SA
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